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About Us

Welcome to Saraswati Ved Sagar Gurukul

Saraswati Ved Sagar Gurukul is affiliated to Bhatkhande Vidyapeeth, Lucknow. Swarmani Sangeetacharya Pt. Banwari Lal Ji Sharma is giving services to the students. Various Artists are invited from Mumbai and Delhi. Various Workshops are conducted on regular basis by the Gurukul.

In Vocal gurukul is providing training of Pure Classical Khayal Gayan, Pad Gaysn, Mahavani Gayan, Thumri Gayan, Haveli Sangeet etc. In Instrumental gurukul is providing training of Tabla, Pakahwaj, Harmonium, Sitar, Flute, Dholak etc. etc. In Dance gurukul is providing training of Kathak.

Dance

Instrument - Classical

Vocal - Classical

Workshop

Skilled Instructors

Online Classes

What is Music:

Music is a form of art and cultural expression that uses sound and silence as its medium. It encompasses a wide range of elements, including melody, harmony, rhythm, dynamics, timbre, and form. People create music through the organized arrangement of these elements, often using instruments, voices, or electronic devices.

Here are some key components of music:

  1. Melody: A sequence of musical notes that is perceived as a single, cohesive entity. Melodies are often the "tune" or the main musical idea in a piece.
  2. Harmony: The combination of different musical notes played or sung simultaneously, creating chords. Harmony adds depth and richness to music.
  3. Rhythm: The arrangement of sounds and silences in time. It includes elements like beat, tempo, and meter, which contribute to the overall feel and structure of a piece.
  4. Dynamics: The variations in loudness and intensity in a musical performance. Musicians use terms like "piano" (soft) and "forte" (loud) to indicate dynamics.
  5. Timbre: The unique quality or color of a musical sound that distinguishes it from other sounds. Instruments and voices have different timbres.
  6. Form: The structure or organization of a musical piece. Common forms include verse-chorus, A-B-A, and sonata-allegro.

Indian music is a vast and diverse musical tradition that encompasses classical, folk, and popular music styles. It has a rich history that spans thousands of years and is deeply rooted in the cultural, religious, and philosophical traditions of the Indian subcontinent. Here are some key aspects of Indian music:


1. Classical Music:

  • Hindustani Classical Music: Primarily practiced in North India, it is characterized by the use of ragas (melodic scales) and talas (rhythmic cycles). Instruments like the sitar, tabla, and sarod are commonly used.
  • Carnatic Classical Music: Mainly practiced in South India, it also relies on ragas and talas but has a distinct repertoire and style of presentation. Instruments include the veena, mridangam, and violin.

2. Folk Music:

  • India has a diverse range of folk music traditions, each unique to specific regions and communities. Folk music often reflects the daily life, rituals, and cultural practices of different groups.

3. Devotional Music:

  • Bhajans and kirtans are devotional songs often sung in praise of deities in various religious traditions, such as Hinduism. These can be a part of religious ceremonies, festivals, or individual worship.

4. Popular Music:

  • Bollywood Music: The Indian film industry, known as Bollywood, produces a significant portion of India's popular music. Bollywood songs are diverse, ranging from classical-based compositions to contemporary pop and rock influences.
  • Contemporary and Fusion Music: India has a thriving contemporary music scene that includes various genres like pop, rock, hip-hop, and electronic music. Fusion genres combine traditional Indian elements with Western or global influences.

5. Instruments:

  • A wide variety of traditional instruments are used in Indian music, including the sitar, tabla, sarod, veena, flute, mridangam, and many others.

6. Raga and Tala:

  • Indian classical music is structured around ragas (melodic frameworks) and talas (rhythmic cycles). Each raga has a unique set of ascending and descending notes, as well as associated moods. Talas provide a rhythmic structure for compositions.

7. Improvisation:

  • Improvisation is a fundamental aspect of classical Indian music. Musicians often showcase their creativity and skill through intricate improvisational passages within the framework of a raga or tala.

8. Spiritual and Cultural Significance:

  • Music in India often has deep spiritual and cultural significance, playing a role in religious ceremonies, festivals, and various cultural events.

Indian music, with its rich heritage and diversity, continues to evolve and adapt to contemporary influences, making it a dynamic and vibrant musical tradition.

Indian classical music is a traditional and highly intricate form of music that has its roots in ancient Indian scriptures and cultural traditions. It is divided into two major traditions: Hindustani classical music and Carnatic classical music.


1. Hindustani Classical Music:

  • Region: Primarily practiced in North India.
  • Instruments: Sitar, tabla, sarod, santoor, flute, and others.
  • Vocal Styles: Dhrupad and Khayal are two main vocal styles. Dhrupad is more ancient, devotional, and focuses on the purity of the ragas, while Khayal is more popular and allows for greater improvisation.
  • Ragas and Talas: The music is based on ragas (melodic scales) and talas (rhythmic cycles). Each raga has a specific set of ascending and descending notes, creating a unique mood. Talas provide a rhythmic framework for the music.
  • Improvisation: A significant aspect of Hindustani classical music is improvisation, where musicians explore and expand upon the ragas and talas in real-time.

2. Carnatic Classical Music:

  • Region: Primarily practiced in South India.
  • Instruments: Veena, violin, mridangam, ghatam, flute, and others.
  • Vocal Styles: Carnatic music includes various vocal styles like Kriti, Varnam, and Padam. Kritis are compositions that explore ragas and talas.
  • Ragas and Talas: Similar to Hindustani classical music, Carnatic music relies on ragas and talas. However, the specific ragas and talas in Carnatic music differ from those in Hindustani music.
  • Precision and Structure: Carnatic music places a strong emphasis on precision, with compositions often having intricate rhythmic and melodic patterns.

Common Features of Indian Classical Music:

  • Ragas and Talas: Both traditions use a system of ragas and talas to structure their music.
  • Devotional Elements: Many compositions in both traditions have devotional themes and are used in religious contexts.
  • Guru-Shishya Parampara: The tradition of learning is often passed down from a Guru (teacher) to a Shishya (disciple) in a one-on-one learning environment.

Performance Structure:

  • Classical music performances typically include an alap (slow, melodic improvisation), jor (medium-paced improvisation), and gat (fast-paced rhythmic composition). The performance concludes with a tala-structured rhythmic improvisation called the tala.
  • The interaction between the lead and accompanying instruments or vocals is a crucial aspect of classical music performances.

Indian classical music is not just a form of entertainment; it's a deeply spiritual and intellectual pursuit that requires years of dedicated study and practice. The improvisational nature allows for a dynamic and unique experience in each performance. The goal is not only to entertain but to transport the listener to a meditative and transcendent state.

Hindustani Classical Vocal Music:

  1. Styles:
    • Dhrupad: An ancient and devotional style known for its austere and slow-paced rendering of ragas. It places a strong emphasis on maintaining the purity of the raga and often includes long, sustained notes.
    • Khayal: A more popular and flexible style, allowing for greater improvisation. Khayal compositions are shorter than Dhrupad and provide more room for creative expression.
  2. Ragas and Talas:
    • Hindustani classical vocalists explore a vast array of ragas, each with its unique set of ascending and descending notes, characteristic phrases, and emotional nuances.
    • Talas (rhythmic cycles) provide the framework for the rhythmic aspects of the performance.
  3. Improvisation:
    • Alap: Vocalists often start with an alap, a slow and meditative improvisation that introduces the raga without a fixed rhythm.
    • Taans: These are fast, intricate patterns of notes that showcase the vocalist's technical prowess and creativity.
  4. Accompaniment:
    • Hindustani classical vocalists are often accompanied by instruments such as the tabla, harmonium, sarangi, and tanpura during performances.

Carnatic Classical Vocal Music:

  1. Styles:
    • Carnatic vocal music includes various forms like Kriti, Varnam, and Padam.
    • Kriti: A structured composition that explores both the melodic and rhythmic aspects of a raga.
    • Varnam: A form that combines intricate melodic patterns with complex rhythmic sequences.
    • Padam: A slow and expressive composition often dealing with love or devotional themes.
  2. Ragas and Talas:
    • Carnatic vocalists delve into a wide range of ragas, each with specific rules and characteristics.
    • Talas provide the rhythmic framework for the performance.
  3. Precision and Bhava:
    • Carnatic vocalists emphasize precision in rendering ragas and talas, and they focus on conveying the emotional content or bhava of the composition.
  4. Accompaniment:
    • Accompaniments in Carnatic vocal music may include instruments such as the violin, mridangam, ghatam, and kanjira.

Common Elements:

  1. Devotional Themes:
    • Both traditions often include compositions with devotional themes, expressing the singer's connection with the divine.
  2. Guru-Shishya Parampara:
    • Learning classical vocal music traditionally involves a close relationship between the Guru (teacher) and Shishya (disciple).

Indian classical vocal music is celebrated for its ability to evoke deep emotions, transport listeners to a meditative state, and provide a platform for artistic expression and creativity. The training and mastery required for classical vocalists make it a revered and cherished art form in India.

Indian instrumental classical music is a captivating and intricate form of art that showcases the beauty of melody, rhythm, and improvisation without the use of vocals. Instruments play a central role in expressing the rich and diverse musical heritage of India. Here are some key aspects of Indian instrumental classical music:
Hindustani Classical Instrumental Music:

  1. Sitar:
    • The sitar is one of the most iconic instruments in Hindustani classical music. It has a long neck with movable frets, sympathetic strings, and is played with a metal pick.
    • Renowned sitar players include Ravi Shankar, Vilayat Khan, and Pandit Ravi Shankar's daughter, Anoushka Shankar.
  2. Tabla:
    • The tabla is a pair of hand-played drums that play a crucial role in rhythm. It consists of a smaller drum (dayan) and a larger bass drum (bayan).
    • Tabla players such as Zakir Hussain and Ustad Alla Rakha are celebrated for their virtuosity.
  3. Sarod:
    • The sarod is a fretless, short-necked string instrument with a deep, resonant sound. It is played with a pick made of coconut shell or wood.
    • Ustad Amjad Ali Khan and Ustad Ali Akbar Khan are legendary sarod players.
  4. Flute (Bansuri):
    • The flute is a wooden wind instrument with six or seven finger holes. It has a pure, melodic quality and is played horizontally.
    • Pandit Hariprasad Chaurasia is a renowned flutist in the Hindustani tradition.
  5. Tabla Tarang:
    • A set of tuned tablas, each producing a different pitch. It allows for the creation of melodies along with rhythmic patterns.
    • Pandit Kamalesh Maitra popularized the tabla tarang.

Carnatic Classical Instrumental Music:

  1. Veena:
    • The veena is a large, fretted string instrument played by plucking the strings. It has a resonator gourd at the bottom.
    • Notable veena players include Emani Sankara Sastry and Jayanthi Kumaresh.
  2. Violin:
    • The violin, though of Western origin, has been integrated into Carnatic classical music. It is played in a seated position and tuned differently from Western classical violin.
    • L. Subramaniam and M.S. Gopalakrishnan are renowned Carnatic violinists.
  3. Mridangam:
    • The mridangam is a two-headed drum played with the hands. It is a vital percussion instrument in Carnatic music, providing rhythmic support.
    • Palghat Mani Iyer and Umayalpuram K. Sivaraman are celebrated mridangam players.
  4. Ghatam:
    • The ghatam is a clay pot with a narrow mouth, played with the fingers and palms. It produces a unique, resonant sound.
    • Vikku Vinayakram is a prominent ghatam player.

Common Elements:

  1. Ragas and Talas:
    • Both Hindustani and Carnatic instrumental music are structured around ragas (melodic patterns) and talas (rhythmic cycles).
  2. Improvisation:
    • Instrumentalists engage in extensive improvisation, exploring the nuances of ragas and showcasing technical prowess through intricate patterns.
  3. Guru-Shishya Parampara:
    • Like vocalists, instrumentalists often learn in a traditional one-on-one Guru-Shishya relationship.

Indian instrumental classical music offers a mesmerizing experience, allowing listeners to appreciate the depth of Indian musical traditions through the mastery of diverse instruments. The improvisational nature of performances creates a dynamic and unique musical journey in each rendition.

 

Indian classical dance is a traditional form of artistic expression that has deep roots in the cultural and spiritual heritage of India. It is a highly stylized form of dance that has evolved over centuries, with each style having its own unique techniques, movements, and storytelling elements. There are several classical dance forms in India, with Bharatanatyam, Kathak, Odissi, Kuchipudi, Manipuri, and Kathakali being among the most prominent.


1. Bharatanatyam:

  • Region: Originated in Tamil Nadu, South India.
  • Characteristics: Precise footwork, intricate hand gestures (mudras), facial expressions (abhinaya), and elaborate storytelling.
  • Costume: Dancers typically wear colorful costumes, with bells around the ankles and intricate jewelry.

2. Kathak:

  • Region: Northern India, with historical roots in the courts of North Indian kings.
  • Characteristics: Emphasis on footwork, spins (chakkar), and storytelling through facial expressions and hand movements. It incorporates both Hindu and Muslim cultural influences.
  • Costume: Kathak dancers wear flowing costumes and often tie bells around their ankles.

3. Odissi:

  • Region: Originated in the state of Odisha, East India.
  • Characteristics: Fluid and graceful movements, intricate hand gestures, and a focus on storytelling and abhinaya.
  • Costume: Odissi dancers wear elaborate and traditional costumes, with special emphasis on the use of silver jewelry.

4. Kuchipudi:

  • Region: Andhra Pradesh, South India.
  • Characteristics: Blend of dance and drama, quick footwork, and dynamic movements. Kuchipudi includes both solo and group performances.
  • Costume: Dancers wear vibrant costumes and may perform barefoot or with special footwear.

5. Manipuri:

  • Region: Originated in Manipur, Northeast India.
  • Characteristics: Graceful and fluid movements, circular patterns, and storytelling inspired by Vaishnavism.
  • Costume: Manipuri dancers wear traditional costumes, and the dance often involves the use of cylindrical drums.

6. Kathakali:

  • Region: Kerala, South India.
  • Characteristics: Highly stylized and dramatic form with elaborate makeup, facial expressions, and costumes. Kathakali often involves mythological and religious themes.
  • Costume: Elaborate costumes, intricate makeup, and headdresses.

Common Elements:

  1. Natya Shastra: Many classical dance forms draw inspiration from the ancient treatise Natya Shastra, attributed to the sage Bharata Muni. It provides guidelines for various aspects of performing arts, including dance.
  2. Mudras: Hand gestures, known as mudras, play a crucial role in classical dance. Each mudra has a specific meaning and is used to convey emotions or tell a story.
  3. Rhythm and Music: Classical dance is closely tied to classical music. Dancers often perform to the rhythm of intricate percussion instruments, and the music complements the dance movements.
  4. Abhinaya: The expressive aspect of classical dance, known as abhinaya, involves the use of facial expressions and body language to convey emotions and stories.

Indian classical dance is not just a form of entertainment but is deeply connected to cultural and spiritual traditions, often conveying stories from mythology, epics, and religious texts. Dancers undergo rigorous training to achieve mastery in technique, expression, and storytelling. Each dance form has its own distinct flavor, making the classical dance tradition in India rich and diverse.

 

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